Artist focus: Sharon Field
Botanical artist painting in Canberra, Australia
Welcome to Behind the Brush… I’m so happy you’re here. Artist Focus is my mid-month feature where I invite botanical artists from all over the world to share their favourite seven studio picks for plant art and beyond.
I was lucky enough to meet Sharon when she kindly brought her infamous scrolls to The Chelsea Physic Garden Florilegium Society for members to see last November. Concerned by damaged ecosystems and aware of the United Nation’s IPCC 2021 report referencing the need to draw down excess carbon from the atmosphere before 2030, Sharon counted the days. There were around 3000 days from 2021 to 2030. She challenged herself to make a drawing or painting every day for the next 3,000 days. Inspired by botanical art’s history, she chose a scroll to tell a story that she hoped would have a visual impact in people’s minds. There are over 25ft of three scrolls so far which feature over 750 drawings of plants and their pollinators.
Meet Sharon Field…
Working as a full time artist since 2009, Sharon seeks to push the boundaries of what is considered traditional botanical art in new directions, whilst continuing to maintain its beauty and dramatic form in a meticulous and unique way. Her work does not follow the traditional botanical art “line”. Her subject matter provides a unique view of the world, while at the same time maintaining the tradition of excellence in execution and technique, working on both paper and vellum (animal skin).
Favourite paintbrush?
I really love the Winsor and Newton Series 7 brushes for my serious work. They have stamina in their performance and are lovely to hold. For my less serious sketches, I use waterbrushes.
Favourite paint?
I use a mix of brands, but do love Schminke and Daniel Smith watercolours. I am also starting to use some paints being made especially for my 3000 days... and counting ... scrolls by Art to Basic.
Favourite paper?
I am currently using Arches Hot Press 300 gsm paper which is what I can access locally. Loved the "old" Fabriano and also vellum.
Favourite botanical artist?
Mother Nature is probably my favourite artist, but Rory McEwen would have to be my favourite painter because he influenced so many of the artists I admire today.
Favourite plant?
Ohhh ... that is impossible to answer. I am drawn to plants that are sculptural in habit and appearance!
Favourite studio drink?
Now that depends on the season and time of day - in the cold winter, tea with lemon and honey; in the heat of summer, soda water with a squeeze of lemon. If I am playing, then a glass of red wine!
Favourite studio music/pods?
I have a 52 CD set of The Lord of the Rings, which I just love listening to. Other than that, I have quite eclectic music tastes, depending on my mood and what I am doing. Thanks for reading, and happy painting!
Happy plant painting,